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Predictive programming

From Deep Politics Wiki
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This is a priority topic relating to deep politics.  Additions to this page are particularly welcome,
though be advised that the official narrative is particularly suspect.

 Predictive programming
(Social control)
File:The Lone Gunmen-plane.webp
A scene from the The Lone Gunmen
A subtle form of psychological conditioning provided by the media to acquaint the public with planned societal changes. If and when these changes are put through, the public will already be familiarized with them and will accept them more likely as "natural progressions".[1]

Predictive programming [2] is a method used, especially by Hollywood, to seed certain ideas that shape culture and thus, influence populations worldwide. It is also a preparation of the mind to circumstances that have been laid out in planning exercises and similar future scenarios, for example what actions others have taken (in Hollywood movies) during the enˈaction of martial law.

Official Narrative

Not real, it is just what people allege.[3]

Accepted, however, is the Aesopian language, which is a hidden means of communicating secrets in public.[4]

Concerns

There is a high number of instances that clearly indicate specific knowledge of future events, probably most famously The Lone Gunman series before 9-11 - the debunking generally focusing on lesser examples.

Selected examples

Watch on YouTube
The Lone Gunmen, a short-lived spinoff of the popular X-Files. The episode, which aired aired six months before the September 11th attacks, includes a plot where a hijacked plane is aimed at the World Trade Center.

Specific knowledge

In 1962 Hollywood produced The Manchurian Candidate, adapted from a 1959 novel, which featured elements similar to the MK Ultra experiments which were ongoing at the same time (like people starting to kill upon receiving a code phrase) . One of the remaining MK Ultra documents noted:[5]

Can we get control of an individual to the point where he will do our bidding against his will and even against fundamental laws of nature, such as self-preservation?

Opinions

{{#subobject: |Has superobject=Predictive programming |Has objectClass=Quotation |Has author=Alan Watt|+sep=,

|Has text=“Hollywood is the magician's wand (holly-holy) which has been used to cast a spell on the unsuspecting public. Things or ideas which would otherwise be seen as bizarre, vulgar, undesirable or impossible are inserted into films in the realm of fantasy. When the viewer watches these films, his/her mind is left open to suggestion and the conditioning process begins. These same movies which are designed to program the average person, can give the discerning viewer a better understanding of the workings and the plan of the world agenda. "Be-aware".

Predictive Programming - The power of suggestion using the media of fiction to create a desired outcome.” |Is about=Predictive programming,social control|+sep=, |Has wikipediaPage= |Has location=|+sep=, |Has publicationDate= |Sourced from= |Has sourceDetails=http://predictiveprogramminginmovies.blogspot.com/ |Has sourceTitle= |Has sourceName= |Has sourceURL= }}

“Hollywood is the magician's wand (holly-holy) which has been used to cast a spell on the unsuspecting public. Things or ideas which would otherwise be seen as bizarre, vulgar, undesirable or impossible are inserted into films in the realm of fantasy. When the viewer watches these films, his/her mind is left open to suggestion and the conditioning process begins. These same movies which are designed to program the average person, can give the discerning viewer a better understanding of the workings and the plan of the world agenda. "Be-aware".

Predictive Programming - The power of suggestion using the media of fiction to create a desired outcome.”
Alan Watt [6]

{{#subobject: |Has superobject=Predictive programming |Has objectClass=Quotation |Has author=Robbie Graham|+sep=, |Has text=“Cinema has an essential mystical ability to completely detach us from our physical environment and transport us to another, more vivid, realm of perception; a realm where everything is at once illusory, yet strangely real.

In film studies, anything that exists within the world of the film is known as diegesis. The cinema screen separates their fictional world from our ‘real’ world. But, actually, the diegesis seeps through the screen into our world, into our subconsciousness. It becomes part of our reality.

Key to cinemas’s power is that movies, in their slick, neatly packaged, self-contained way, serve to narrativize and contextualize the events, debates, and processes that constitute our frustratingly non-narrative world. Life rarely makes sense, but movies usually do, and in that we take comfort and, therein lies the problem – movies, no matter how realistic they are in the events they depict, are not real life. They are, at best, reflections of our reality, snapshots of it, simulations of it, skewed and distorted through the ideological framework of those who have made them.

Movies masquerade as the final word on a given topic. No matter what the subject, and regardless of how much that subject has already been written about and debated, once it is committed to film – once it has received the full Hollywood treatment – it is embedded firmly and forever into the popular consciousness. Imprinted on our psyche. Plunged into the deep wells of memory and imagination.” |Is about=Predictive programming,|+sep=, |Has wikipediaPage= |Has location=|+sep=, |Has publicationDate=2015 |Sourced from= |Has sourceDetails=Silver Screen Saucers, page 292/293 |Has sourceTitle= |Has sourceName= |Has sourceURL=

}}

“Cinema has an essential mystical ability to completely detach us from our physical environment and transport us to another, more vivid, realm of perception; a realm where everything is at once illusory, yet strangely real.

In film studies, anything that exists within the world of the film is known as diegesis. The cinema screen separates their fictional world from our ‘real’ world. But, actually, the diegesis seeps through the screen into our world, into our subconsciousness. It becomes part of our reality.

Key to cinemas’s power is that movies, in their slick, neatly packaged, self-contained way, serve to narrativize and contextualize the events, debates, and processes that constitute our frustratingly non-narrative world. Life rarely makes sense, but movies usually do, and in that we take comfort and, therein lies the problem – movies, no matter how realistic they are in the events they depict, are not real life. They are, at best, reflections of our reality, snapshots of it, simulations of it, skewed and distorted through the ideological framework of those who have made them.

Movies masquerade as the final word on a given topic. No matter what the subject, and regardless of how much that subject has already been written about and debated, once it is committed to film – once it has received the full Hollywood treatment – it is embedded firmly and forever into the popular consciousness. Imprinted on our psyche. Plunged into the deep wells of memory and imagination.”
Robbie Graham (2015)  [7]


References